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May Contest Image
Try your hand at coming up with a winning caption!
Vintage Style Examiner Interview
I may just have to admit that I’ll never be a real blogger. Real bloggers blog. I, on the other hand, come up with dumb excuses like “I’m trying to finish up the new designs for our January 2011 release.” The upside is that I may actually make deadline this time around. A small miracle.
And if truth be told, I haven’t been working on the line every single second of every single day. It has been darned hot here, so I’ve been pretty much forced to go to the lake every evening to swim. Poor me. But it’s cooling off now… and the line is almost done… so soon I will get back to blogging. Meanwhile, here’s an interview you might enjoy. It’s two months old (I kept forgetting to share it) so our exciting new releases as mentioned in the interview will be old news to you:
AARP
Oops! Looks as though I forgot to post this article by mystery and nonfiction writer Pat Remick. It appeared 3 weeks ago in AARP’s online magazine.
Anne Taintor’s Vintage Humor
For 25 years, the artist has turned catchy sayings coupled with vintage photos of glamorous women into a successful product lineTwenty-five years ago, single mother and frustrated artist Anne Taintor glued the words “intellectuals gone bad” onto a vintage magazine ad showing two glamorous women from the 1950s, launching a career that has led to her being described as “the patron saint of female frustration” and “queen of collage kitsch.”
From her rural New Mexico studio, Taintor, 56, now presides over the multimillion-dollar Anne Taintor Inc. The Brooklyn, N.Y.-based enterprise sells greeting cards and 23 other products—all with clever, often irreverent captions that convey Taintor’s interpretation of what those idealized housewives in glossy ads from the 1930s, ’40s and ’50s may actually have been thinking.
Her creations juxtapose humorous phrases like “funny … I don’t recall asking your opinion” and “stop me before I volunteer again” against stylized, brightly colored photos that decorate a range of Taintor merchandise, including note cards, office supplies, bags and accessories, bar ware and even air fresheners and lip balm.
Coasters from the edge
Zosia Bielski wrote this post for me – appearing in print tomorrow in THE GLOBE AND MAIL!
Thank you, Zosia!
Design
Coasters from the edge
Zosia Bielski
Anne Taintor’s wry sayings have been sassing up images of retro-fabulous women for a quarter of a century. Now the studio has launched a search for the models who made it all possible.
Medicated and motivated.
Who says children need to eat every day?
Someone was going to have to set a bad example.
Now be a dear and fetch mommy her flask.The phrases might ring a bell for any woman who has ever trolled her favourite gift shop for some private shopping therapy. They float atop Anne Taintor’s kitschy collaged accessories, the ones with beautiful women beaming dementedly from vintage advertisements.
Christened “the patron saint of female frustration,” Taintor has been churning out accessories for 25 years. The massive line of products – everything from postcards, luggage tags and pill boxes to mouse pads, air fresheners and flasks – now sells in 25 countries and earns Anne Taintor Inc. annual revenues into the seven figures.
Aside from the kitschy images of women baking cakes and ironing shirts and the subversive taglines, the line’s lasting appeal lies in the naughty, but also often self-deprecating, tone. Women “who’ve had a lousy day” appreciate them, as do gay men, Taintor said in an interview.
To celebrate the silver anniversary, the company has launched a search for the women behind the images, all of them models from ads dating back to the 1930s, 40s and 50s. Only a handful of the “Taintorettes” have been identified, and many have passed away. Usually, it’s a grandchild who recognizes grandma on a magnet or sticky note, and buys out the shop.
“These women weren’t the airheads they were portraying,” said Taintor, 56. “They were working women before there were working women, supporting families and putting themselves through school. They thought it was kind of funny that they were portraying women who were just delighted to have a new laundry detergent.”
Taintor started crafting the accessories as a way to pay her own bills when she was a single mother living in Maine. “I went to a career counsellor and she asked me what I could do and I was like, ‘Uh, well, I can make collages.’ She said, ‘Oh. Good.’ She encouraged me to do something with that because I really had no viable job skills,” said Taintor, who graduated with a degree in visual and environmental studies from Harvard University.
Riffling through some old issues of Ladies’ Home Journal at a garage sale, Taintor wondered if the cheerful housewives in the appliance ads were really as vacuous as they appeared. She started imagining their inner dialogue, snipped words from other magazines and pasted them onto the ads, later gluing the collages onto wooden lapel pins.
“I felt like the women were speaking to me and it made me laugh. Apparently it makes other women laugh too.”
Taintor uses magazine ads that are more than 50 years old; the copyright has expired and the images are in the public domain. If she wants to use editorial content, she has her lawyer research whether copyright has been renewed or not.
She still comes up with some of the snarky one-liners herself from her studio in Youngsville, a town of 110 in New Mexico. She also has an office in Brooklyn and now employs 12 writers. During “long-distance brainstorming sessions,” Taintor sends them photos and they send back potential captions.
Her best sellers usually involve the theme of domestic angst: “I dreamed my whole house was clean,” “Make your own damn dinner,” and “WOW! I get to give birth AND change diapers!”
When the models started surfacing in 2006, Taintor was amazed: “I never even thought about it. It’s been one of the delightful surprises of this job.”
One of them was Georgia Carroll, who stumbled on her photo peering out from a magnet at a gift shop in Chapel Hill, N.C., where she lives. “An attitude is a terrible thing to waste,” read the magnet.
“I think it’s a good caption,” said the 90-year-old, who bought all of the magnets and then ordered some more.
Today, Carroll’s well-coiffed head also appears on sticky notes and stationery, which she writes to people on. “[Taintor] has sent me wonderful things with my picture on them, like luggage tags that I put on other things so that I won’t lose them. It’s very convenient to have your picture on it.”
In the 1930s, Carroll would often model with her “most constant friend,” Katharine Aldridge, a witty brunette from Maine. In 2008, Aldridge’s daughter, Carey Cameron, discovered both women were Taintorettes.
“I was walking down 8th Street in New York City and I passed a store that sold mostly kitchen supplies, and there was Georgia’s face staring at me from a package of file folders. I bought every package they had in the store,” said Cameron, a 58-year-old writer.
Carroll’s daughter, Amanda Kryser, happened to be staying at Cameron’s apartment, so Cameron put the folders on her pillow. “I was leaving for Maine and I was in a hurry so I didn’t look at the package. I just assumed that all of the photographs were of Georgia. Amanda called me and she said, ‘Did you know that your mother is in the package too?’ They were best friends and they were together in the same cellophane package.”
Aldridge died in 1995 and never got to see herself emblazoned on the products.
“She would have loved it. She loved attention,” said her daughter. “Hers was a very little star, but it just keeps twinkling, here and there.”
